The 100 Movie Review: RK Naidu Impresses in This Decent Crime Thriller
“The 100,” starring Mogali Rekulu fame RK Naidu, has hit the screens with a runtime of 2 hours and 15 minutes. RK Naidu is also credited with the original story. The film recently premiered at AAA Cinemas, leaving a notable impression on the audience.
Initial Expectations and Overall Verdict
Initially, there weren’t high expectations for “The 100,” as RK Naidu was returning to cinema after a long gap, leading to thoughts that it might be an ordinary production. However, by the end of the movie, the overall feeling was one of satisfaction. The last 40 minutes and the 30 minutes leading up to the intermission were particularly well-executed, while other parts were impressive in sections. It is described as a decent crime thriller, definitely worth a watch.
Plot and Genre Overview
“The 100” follows a template seen in many crime films: a crime occurs, followed by a police investigation, the revelation of a mystery, and a climactic ending. The basic storyline revolves around gold thefts happening in various homes. Simultaneously, an opening scene depicts a girl committing suicide. The narrative then focuses on how the hero, an IPS officer in his probation period, solves these cases, uncovers the reasons behind the thefts, and unravels an additional mystery woven into the plot. The film aims for a sincere and different narration, showcasing a clear effort to deliver a good movie.
Performance and Cast Highlights
RK Naidu’s portrayal as IPS Vikrant is a major highlight. His physical presence, or “cutout,” was described as “amazing,” giving the authentic feel of a real IPS officer. His performance as a “perfect angry police officer” was commendable. The film also features the heroine in a significant role, with Vishnupriya shining in her part and Dhanya Balakrishna making a brief appearance. An actor from the film “Pushpa” also makes an entry in the second half, adding to the cast.
Technical Aspects and Music
The music and background score by Harshavardhan Rameshwar, known for his work in “Animal” and “Arjun Reddy,” are considered one of the film’s best parts. His music significantly elevated the movie, especially during the fight scene at the MLA police station and the climax, which were particularly impactful. The songs themselves are pleasant to listen to. While the cinematography wasn’t a standout highlight, it wasn’t poor either. Scenes set in the IT company were well-shot, though some other locations occasionally hinted at lower production values, being “okay” rather than “excellent.”
Areas for Improvement
Despite its strengths, “The 100” has a few drawbacks. A specific logical point regarding the timing of the crimes, introduced in the first half, could have been emphasized more. Initially, the flow felt a bit disjointed, with a mix of heroine scenes, hero’s friend’s scenes, and the MLA fight, before becoming fully engaging around 30 minutes before the intermission. An unnecessary love song in the second half, though intended for emotional connectivity, seemed to disrupt the narrative flow. The overall production values and the color palette, which was not consistently attractive except for the ending, could have been improved. Furthermore, a lingering mystery about “who came that night” felt underexplored until the very end, causing some confusion. While the film contained some suspense fitting for a thriller, it didn’t feel “full-fledged,” lacking an immediate, gripping urgency. Minor logical liberties, such as the villain not reacting instantly after being caught on camera, were also noted.
Final Verdict and Rating
In conclusion, despite a few narrative detours in the middle, “The 100” is well-crafted with good flow and detailing. Compared to many contemporary films that often lack the effort, this movie stands out for its sincerity and the care taken in its making, making it a much better watch. It is a decent crime action thriller that is definitely worth experiencing once.
Rating: 3/5 (Personal Opinion)
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